2013-01-18, 05:09
@nickr - the basics of audiophile digital audio are:
- good sources (clean, low-compression aka high dynamic-range, well-recorded and played audio)
- lossless and preferably high bitrate (bitdepth x sample rate) audio formats (uncompressed LPCM, FLAC, DSD/DTS, MLP)
- digital transport - basically keeping the audio in digital form until it hits the external decoders/DACs. This means no losses in transport or analog conversion in the noisy PC environment. Regardless of the codec the signal should stay digital as long as possible through the transport chain. Decoding with lossless formats does not generally cause degradation of the signal, so where in the chain the signal is decoded isn't really relevent. It's where the D/A conversion takes place and the quality of that conversion and amplification.
There's myriad other factors involved in digital audio (jitter, dithering, noise shaping, etc) but these tend to pale in comparison to the analog side (D/A conversion, amplification, speakers, environment). If you get the above correct you are there from the digital perspective. Once it crosses the D/A boundary "normal" audiophile wisdom takes over. Then you can duke it out over speaker design, room correction, room treatments, etc.
Feeding 24/96khz digital remasters or SACD formats (DSD/DST) to a good stereo is pure bliss
Conventional wisdom is that high bitrate PCM (while wonderful) is harsher but brighter while SACD formats are much more akin to analog formats (vinyl, reel-to-reel), and I tend to agree, but they are both excellent sounding.
But you must have good recordings! I've heard 128kbps mp3's that sound better than MeatLoaf SACD's.
Some recommendations:
Dire Straits - Brothers in Arms (SACD)
Pink Floyd - DSOTM (SACD)
Genesis - The Lamb Lies Down on Broadway onwards (SACD)
Queen - The Game (DVD-Audio)
Peter Gabriel - Up (SACD)
Cat Stevens - Tea for the Tillerman (SACD)
Many of these have been ripped and converted to FLAC at 24/88.2 using Weiss Saracon as a DSD->PCM converter with great results. All of the above except the last are multichannel. If you're more of a classical guy Nordic Sounds (2L) has some free samples of very well-recorded high-definition audio on their website.
For what I consider the best of BluRay audio check out Dave Matthews & Tim Reynolds - Live at Radio City in Dolby TrueHD.
Believe it or not, a cheap and quiet GPU will allow you to play incredibly detailed audio to any HDMI-capable receiver. If you care about audio I would go HDMI first. If not you will need to invest serious bucks into a USB DAC, money generally better spent on a receiver. A good receiver is built around good DAC's (Burr-Brown being considered one of the better in the mid-range). My preference is to stay digital right up to the input to the power amplifier section.
Enjoy
- good sources (clean, low-compression aka high dynamic-range, well-recorded and played audio)
- lossless and preferably high bitrate (bitdepth x sample rate) audio formats (uncompressed LPCM, FLAC, DSD/DTS, MLP)
- digital transport - basically keeping the audio in digital form until it hits the external decoders/DACs. This means no losses in transport or analog conversion in the noisy PC environment. Regardless of the codec the signal should stay digital as long as possible through the transport chain. Decoding with lossless formats does not generally cause degradation of the signal, so where in the chain the signal is decoded isn't really relevent. It's where the D/A conversion takes place and the quality of that conversion and amplification.
There's myriad other factors involved in digital audio (jitter, dithering, noise shaping, etc) but these tend to pale in comparison to the analog side (D/A conversion, amplification, speakers, environment). If you get the above correct you are there from the digital perspective. Once it crosses the D/A boundary "normal" audiophile wisdom takes over. Then you can duke it out over speaker design, room correction, room treatments, etc.
Feeding 24/96khz digital remasters or SACD formats (DSD/DST) to a good stereo is pure bliss
Conventional wisdom is that high bitrate PCM (while wonderful) is harsher but brighter while SACD formats are much more akin to analog formats (vinyl, reel-to-reel), and I tend to agree, but they are both excellent sounding.
But you must have good recordings! I've heard 128kbps mp3's that sound better than MeatLoaf SACD's.
Some recommendations:
Dire Straits - Brothers in Arms (SACD)
Pink Floyd - DSOTM (SACD)
Genesis - The Lamb Lies Down on Broadway onwards (SACD)
Queen - The Game (DVD-Audio)
Peter Gabriel - Up (SACD)
Cat Stevens - Tea for the Tillerman (SACD)
Many of these have been ripped and converted to FLAC at 24/88.2 using Weiss Saracon as a DSD->PCM converter with great results. All of the above except the last are multichannel. If you're more of a classical guy Nordic Sounds (2L) has some free samples of very well-recorded high-definition audio on their website.
For what I consider the best of BluRay audio check out Dave Matthews & Tim Reynolds - Live at Radio City in Dolby TrueHD.
Believe it or not, a cheap and quiet GPU will allow you to play incredibly detailed audio to any HDMI-capable receiver. If you care about audio I would go HDMI first. If not you will need to invest serious bucks into a USB DAC, money generally better spent on a receiver. A good receiver is built around good DAC's (Burr-Brown being considered one of the better in the mid-range). My preference is to stay digital right up to the input to the power amplifier section.
Enjoy